The new play, set 24 years before the start of the Netflix series, combines lavish spectacle with a cast of familiar ...

The design of everything is pretty loud because where else can you use a lot of this material?” the filmmaker says of his new Ridgewood cinema.

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The stark black-and-white compositions do what Mapplethorpe did best: transform the socially unacceptable into formalist art through meticulous attention to light, shadow and balance.