Jeffrey Grunthaner reviews the exhibition ‘Aber hier leben? Nein danke. Surrealismus + Antifaschismus’ at Munich’s Lenbachhaus ...

Mia Butter visits the Kreuzberg studio of Finnish artist Emilia Tikka ahead of her solo show at Schering Stiftung ...

Techno-Reveries: Refik Anadol at Guggenheim Bilbao by Jayne Wilkinson // Mar. 27, 2025. This article is part of our feature ...

Libuše Jarcovjáková at KVOST by Olivia Noss // Mar. 18, 2025. Libuše Jarcovjáková is a queer Czech photographer who, over the ...

Nadia Egan interviews members of the collective and an evolving performance series DANCÆ about their recent show ...

Ludwig Wittgenstein used the rabbit-duck illusion to observe the interdependent relationship between perception (what is seen immediately) and interpretation (what is seen when one is aware of the ...

After decades of pernickety poststructuralist critique, nothing is neutral or pure anymore—especially in the space of contemporary art where every detail is amplified…[read on] This website uses ...

The Ottoline Book Prize by Fence—a not-for-profit literary magazine and press based in New York City—is open to full-length poetry manuscripts by any person who identifies as a woman…[read on] ...

William Kherbek interviews artist and performer Samra Mayanja about her practice and her project space The Call Centre in London ...

Ho Tzu Nyen at Mudam Luxembourg by Nadia Egan // Mar. 3, 2025. This article is part of our feature topic Cycles. Video art can be a tricky medium—it requires an ...

Louisa Gagliardi does not paint, as much as she creates paintings. Describing her practice as “drawing” on her computer falls short of defining what she is really doing. Referencing traditional ...