Opus, Mark Anthony Green

Why ‘Opus’ Director Mark Anthony Green Swept His Own Movie Set
The GQ editor-turned filmmaker’s new A24 movie is a warning against tribalism and cults of personality, and was made with such modest means that he felt the need to lead by example: “Every time we break a window,
Opus: John Malkovich, Mark Anthony Green on storytelling and creating pop stars
John Malkovich and Mark Anthony Green spoke to Digital Trends about their movie Opus, the art of storytelling, and how to create a pop star.
‘OPUS’ Director Mark Anthony Green on His “Very Weird, Very Fun” Film
After an astonishing premiere at Sundance in January, OPUS has finally hit theaters. Billed as a horror film, OPUS is
The 'Opus' ending parallels Luigi Mangione's story, according to director Mark Anthony Green
The "Opus" ending has a twist that makes audiences reconsider how they view Moretti, John Malkovich's mysterious pop star turned cult leader.
In conversation with Mark Anthony Green: From GQ to ‘Opus’
Mark Anthony Green began writing for GQ when he was 19 years old. After graduating from Morehouse College, he started working for the publication full time as a style columnist, interviewing some of the biggest names and celebrities around.
Movies for the Freaks: Mark Anthony Green on “Opus”
An interview with the director of A24's new thriller about his time at GQ and balancing genre thrills with heady themes.
Mark Anthony Green’s Magnum ‘Opus’
Written and directed by Mark Anthony Green, “Opus” draws a line between the haves and have nots in creativity instead of wealth. Toeing between horror and comedy, the film satirizes elitism through music, journalism and fanatic listeners.
‘Opus’: Casting John Malkovich as a Popstar Was a Rotten Idea
Casting is important. I feel like I’ve seen dozens of interviews with directors who humbly suggest that once you hire the right actors and let them do their thing, brilliance follows. It’s rare these days to see a truly rotten pairing of performer and role,
'Opus' Review: John Malkovich Has a Fever, and the Only Prescription Is a Better Movie
Only Ariel seems to think any of this weird stuff is suspicious. To everyone else it's just show business. Artists are oddballs and that comes with the territory. What are obsessive fans if not cultists,
‘Opus’ Director Mark Anthony Green on Ayo Edebiri, Who He Wanted to Cast Before They Died, and Sean Baker’s Wise Words About Theaters
Opus' director Mark Anthony Green talks casting Ayo Edebiri and trying to get poet Nikki Giovanni to star in the film before ...
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Review: ‘Opus’ is a painfully rough translation of an urgent, hungry filmmaking mind
There’s not a doubt in my mind that Green has some sort of answer to that question. Frankly, I have little trouble believing ...