Vaughan, notably, did not play his No. 1 Strat for Superstition, instead opting for his white Charley guitar, a Strat-style instrument with lipstick pickups built for Stevie in 1984 by Dallas guitar ...

Vaughan is more so known for his blues work, but he delivered some impressive, dance-floor-ready melodies on this Bowie ...

“This amplifier was one of Stevie Ray Vaughan’s most favorite and important ... a comprehensive trail of authenticity ...

The thought of Stevie Wonder and Stevie Ray Vaughan collaborating ... Tone may be in the hands, but you can hear that this is Vaughan's rig. The clip cuts off after a tantalising 16 seconds.